“LYNDSAY PROMANE PROVIDES A GENUINE AND DEEPLY SATISFYING SOUND.”

Brian Chang, The WholeNote, alto soloist in Mozart’s Requiem with the Toronto Mozart Players

“PROMANE’S VOICE IS ROUND AND SOMBRE, WITH AN EARTHY LOWER REGISTER.”

Keira Grant, Mooney on Theatre, Memory Eurydice in the world premiere of Tap:Ex Augmented Opera at Tapestry Opera

“ALL THREE PERFORMERS ARE TOP NOTCH… PARTICULARLY PROMANE, WHOSE ANGUISH LEAVES LITTLE TO THE IMAGINATION.”

Martin Molpeceres, Opera Canada, Memory Eurydice in the world premiere of Tap:Ex Augmented Opera at Tapestry Opera

“PROMANE’S DARK MEZZO QUICKLY AND EASILY MOVES BETWEEN REGISTERS AND HAS A SURPRISING BRIGHTNESS TO THE TOP END.”

Jenna Simeonov, Schmopera, Memory Eurydice in the world premiere of Tap:Ex Augmented Opera at Tapestry Opera

“…AN ARRESTING PRESENCE ON THE OPERA STAGE, AND A THOUGHTFUL CONCERT ARTIST, The UofT Opera graduate finds ease in traditional trouser roles like Hansel (Hansel and Gretel) and Bradamante (Alcina), and her recital programmes speak to a versatile, interested young singer”

Jenna Simeonov, Schmopera, Spotlight interview series